Course Catalog

Explores how ethnography has been applied to a variety of media to understand how audiences receive media and respond to them. Examines how ethnographers and anthropologists use photography and film to explore 'cultures' and how they are re-appropriating media to express their own concerns.

This course examines the intersection of food and the senses from an anthropological perspective. We will explore the intersection between food and culture; the impact of social, political and economic contexts on our foods and foodways; French food culture; and taste, cuisine and commensality as forms of inter-cultural communication. Students apply class readings and practice ethnographic methodologies in a few short study trips.

Presents an anthropological approach to the study of cities, providing students with theoretical and methodological tools to think critically about the meaning of urban life today. Approaches this topic from a cross-cultural perspective, with a number of readings focusing on Paris in particular. Students will undertake a Paris-based qualitative research project during the course of the semester.

This course looks at how culture promotes connections between humans, their landscapes and ecosystems. We will be discussing the different ways humans use, interact, engage and manipulate the natural world that surrounds them. Central to an understanding of this relationship is the meaning people give to the concept of nature. This course will explore the leaning attributed to nature across different cultural contexts and religious traditions

Topics vary. Using analytic skills learned in core courses, students work with an AUP faculty member, visiting scholar or professional in an area of current interest in the field to be determined by the instructor and the faculty of the Global Communications department.
“For the course description, please find this course in the respective semester on the public course browser: https://www.aup.edu/academics/course-catalog/by-term.”

A studio course, which provides an introduction to basic drawing problems for the beginning student interested in developing his or her drawing skills. Subject matter includes still life, portraiture, landscape, and the nude. Mediums introduced are pencil, charcoal, and ink wash.Please note that an additional fee will be charged for this course. May be taken twice for credit.

This studio course provides an introduction to the basic ideas and techniques needed for the comprehension and construction of the built environment. Starting with elemental design concerns, students will be asked to use what they learn in order to create ever larger and more complex entities. Site-specific assignments making use of Paris and its history will oblige the students to engage in the “conversation” of the urban world.

For students with little or no previous experience in drawing or painting. First analyzes still life objects in basic plastic terms starting with value. Concentrates during each class session on a new painterly quality until a sufficient visual vocabulary is achieved so that more complicated subjects such as the nude can be approached. Work will be done in oil.May be taken twice for credit.

Techniques of the Masters Lectures, demonstrations, and workshops focus on materials and techniques used by artists over the centuries. Studies the historical background of techniques of drawing, painting, sculpture, and the graphic arts combined with a hands-on approach so that each student can experience the basic elements of the plastic arts.Please note that an additional fee will be charged for this course. May be taken twice for credit.

This course focuses on traditional relief printing techniques for the creation of multiple identical images without the use of a printing press. Once the fundamentals are understood, experimentation is encouraged so that each student can learn how to best exploit the different methods to successfully translate sketches into a powerful printed document. In addition to the making of prints, students will study the history of woodblock and metal printing and will be asked to visit and write about several print collections.