Course Catalog

Courses on different topics in the discipline, enriching the present course offerings. These classes are taught by permanent or visiting faculty.

Will investigate the various ways in which gendered norms of identity are defined, constructed, enforced, managed and even adjudicated through the narratives that inform and produce our social and legal realties. Class readings will include works by Judith Butler, Wendy Brown, Drucilla Cornell, Kimberlé Crenshaw, Nancy Fraser, Michel Foucault, Angela Harris, Nivedita Menon, and Denise da Silva, among others.

A study of Berlin: from elegant palaces and parks to commercial and industrial sectors, investigates the German capital's cultural transitions from 1870 to 1945. Selected dramas, films, and novels offer insight into the political culture of a city constantly in the process of remaking itself.

Courses on different topics in the discipline, enriching the present course offerings. These classes are taught by permanent or visiting faculty.

Will investigate the various ways in which gendered norms of identity are defined, constructed, enforced, managed and even adjudicated through the narratives that inform and produce our social and legal realties. Class readings will include works by Judith Butler, Wendy Brown, Drucilla Cornell, Kimberlé Crenshaw, Nancy Fraser, Michel Foucault, Angela Harris, Nivedita Menon, and Denise da Silva, among others.

This course inquires into the nature and dynamics of how groups (families, institutions, countries, etc.) reconstruct and represent the past together. The problem of social memory is approached from multiple disciplinary perspectives. Students will have the opportunity to explore various places of memory in Paris and examine how these historical events are constructed in the present.

Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.

Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.

Provides broad cultural background to the diverse geopolitical region referred to as 'the Arab World'. Looks at the interplay between the forces and processes involved in the expansion of mass media in this context with a particular focus on state/society development and the role of the media through themes like press freedoms, satellite broadcasting, discursive analysis of media text.

This course is designed to introduce students to the history and practice of curating artworks. “Museums, like asylum and jails, have wards and cells — in other words, neutral rooms called ‘galleries.’” Writing these words in the 1970s, the artist Robert Smithson expressed sharply the struggle of many 20th century artists with curatorial settings. From the private cabinet of curiosities to the Academic Salons, from experimental art galleries to large museums and the use of exhibitions themselves as an artistic medium, curatorial practices never ceased to shape our “understanding” and appreciation of artworks. Relying on historical and theoretical texts, on-site visits (museums and art galleries) and a dialogue with museum professionals, the class is focused on the creation of a virtual exhibition by the students, taking into account all aspects of the project from its conception to its realization. This course has a course fee included.

This is a parallel course offered at the 2000-level and 3000-level. While the assignments are similar at both levels, the written component of the final project goes up from 25 000 to 35 000 characters (space included) and an upper-level degree of precision in the critical apparatus of the final project (research; bibliography, theoretical and methodological pertinence) is expected. Faculty approval is required for AH3030.