Discusses the stylistic and thematic concerns of Manet, Monet, Degas, Pissarro, and Renoir, in the context of artistic theory and practice in mid-19th-century France. Analyzes the art of Gauguin, Van Gogh, CÈzanne, and Seurat as responses to impressionism. Classes at the Musee d'Orsay are scheduled regularly. AH 1020 is strongly recommended as a prerequisite.
Code
AH3000
Name
IMPRESSIONISM - POST-IMPRESSIONISM
Credits
4
Pre-requisites
None
Co-requisites
None
Can be taken twice for credit?
No
Discipline
AH (Art History)
Level
Undergraduate
Type
Regular
CAMS ID
2499
Last update with CAMS
a precise and enlightened view over the art and culture in Paris—produced by French or non-French artists—within a short, but very productive, period of modern history.
valuable skills in visual analysis as well as the verbal skills necessary for expressing that analysis in direct contact with major masterpieces kept in Parisian museums.
a deep understanding of the art styles Impressionism/Post-impressionism and their historical importance.
students will altogether enhance their capacities to express an informed opinion about this style and modern art.
| Term | Code | Name |
|---|---|---|
| Spring 2021 | AH3000 | IMPRESSIONISM - POST-IMPRESSIONISM |