Studies post-1945 Japanese cinema, including the Kurosawa epics (Seven Samurai, Rashomon, Ran, Dream). Other masters include Ozu, Mizoguchi and Oshima. Examines Indian cinema and Satyajit Ray, and his masterful Apu trilogy. Concentrates on new Asian film, with works by Chinese (including Hong Kong and Taiwan) directors such as Zhang Yimou, Chen Kaige, Wong Kar-Wai, Tsai Ming Liang, and Ang Lee.
Code
FM3073
Name
ASIAN CINEMA
Credits
4
Pre-requisites
None
Co-requisites
None
Equivalencies
Can be taken twice for credit?
No
Discipline
FM (Film)
Level
Undergraduate
Type
Regular
CAMS ID
2826
Last update with CAMS
Knowledge and understanding of the history and aesthetics of some major film directors and film movements in post 1945 Asia (excluding India and Turkey) and their cultural context.
Developing skills in film analysis and film reading/interpretation.
The course also supports these FILM STUDIES LEARNING OUTCOMES: Analyse and differentiate filmic discourses on subjects in terms of narrative structure, cinematic techniques, and cultural contexts. (FM LO1)
Trace the rise and development of contemporary cinema as art form, industry and cultural product. (FM LO2)
Distinguish individual styles and techniques of selected directors and place the work in context with cinema history and aesthetics. (FM LO3)