SCREENWRITING FOR TELEVISION (FM2018)
Over the past twenty years, Granada, HBO, and the BBC have been creating series such as The Singing Detective, Cracker, MI5, The Sopranos, and The Wire that are much darker and more persuasive and perverse than anything else on television or on the big screen. Students will examine these 'visual texts,' and will also outline one or two series of their own, working on individual scenes that will be dramatized in class.
THE ART OF SCREENWRITING (FM2028)
In Art of Screenwriting students consider the elements necessary for successful screenwriting practices, with close attention to the theory of screenwriting as influenced by other arts. In particular, a close emphasis of the course is on the art of narrative and the central role played by adaptation of novels in screenwriting practice. Character development, structure, dialogue and conflict are analyzed through exemplary scripting such as in the works of Jane Campion, Roman Polanski and others. The course culminates in a hands-on guided approach to scriptwriting by students.
Term | Code | Name |
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Spring 2021 | FM2028 | THE ART OF SCREENWRITING |
Fall 2021 | FM2028 | THE ART OF SCREENWRITING |
INTRO TO HISTORY OF NARRATIVE FILM I (FM2075)
Cinema always raises questions about its times -- the silent era from 1895-1930 is no exception. This course looks at silent cinema through a global lens, tracing a range of influences in the development of film language from early film experiments, the rise of narrative, the work of early film pioneers, German and Soviet film explorations of mise-en-scene and montage, consolidation of the film industry and challenges from avant-garde cinema. The films we screen from Europe and the US,along with key works from Latin American, African and Asian cinema, reflect at a time of social and political upheaval and dazzling cinematic invention.
ORSON WELLES & HIS INHERITORS (FM2080)
Studies Welles' chaotic film career - his spectacular rise and fall, quest for a total cinema, exile, frustrations and triumphs, both as actor and filmmaker - and his place in American cinema. Films include: Citizen Kane, The agnificent Ambersons, Journey Into Fear, The Lady From Shanghai, Macbeth, The Third Man, Mr. Arkadin, Touch of Evil, and The Trial.
ALFRED HITCHCOCK (FM2081)
The course analyzes the work of one of the greatest, most influential film directors in the history of cinema, whose prodigious career spanned the silent and sound eras. Hitchcock made major contributions first to British film, then to the classic Hollywood style. Students begin by establishing Hitchcock’s concept of pure cinema, and then trace the biographical origins of his fascination with “fright”. They also explore the major influences in his work. The director’s move to American cinema focuses on his volatile work relationship with his producer, David Selznick, in films like Rebecca and Spellbound. A study of this transition culminates in an in-depth analysis of Hitchcock’s debt to the Surrealists, the subsequent fascination of the French New Wave for his works and his role as an inaugural auteur. Hitchcock’s command of his craft and his technical innovation to create masterpieces of suspense transformed modern cinema.
FILM DIRECTORS: TARANTINO AND HIS INTERNATIONAL INFLUENCES (FM2082)
Quentin Tarantino once said, “I steal from every movie I see.” How does his passion for cinema, sampling, cannibalizing, transforming and creating new cinematic approaches raise questions around violence, gender, globalism and cultural performance? Looking at films from Reservoir Dogs to Pulp Fiction, Kill Bill, Django and Once Upon a Time in Hollywood, and the films of influences Woo, Leone, Godard, and others.
SCORSESE & KUBRICK (FM2083)
FILM DIRECTORS: AGNES VARDA (FM2087)
This course explores the cinema of Agnès Varda, one of the world’s great filmmakers. To study Varda’s work over is to engage important cinematic questions around politics, marginality and community while also engaging critical shifts in form. The course additionally sharpens skills in close analysis, critical review, writing, curatorial and presentational skills in film studies.
SCIENCE FICTION AND FANTASY ON SCREEN (FM2088)
Term | Code | Name |
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Fall 2020 | FM2088 | SCIENCE FICTION AND FANTASY ON SCREEN |